Dr Alix Beeston writes about modern and contemporary literature, photography, and film. She is particularly interested in the ethical possibilities of representations of women in writing and visual culture, as well as in the history of women’s creative labor.
Alix was born and educated in Australia, and she holds a PhD in English from the University of Sydney. She is currently Senior Lecturer in English at Cardiff University, Wales, where she teaches twentieth and twenty-first century literature and visual culture, feminism and gender studies, and critical race studies. She is the author of In and Out of Sight: Modernist Writing and the Photographic Unseen (Oxford University Press, 2018) and the digital project Object Women: A History of Women in Photography. Her essays have appeared or are forthcoming in PMLA, Signs, Modernism/modernity, Feminist Modernist Studies, Arizona Quarterly, and the Edinburgh Companion to Modernism and Technology, as well as in online publications such as Post45, ASAP/J, L.A. Review of Books, Sydney Review of Books, and Wales Arts Review.
Alix is a founding member and the current convenor of Image Works: Research and Practice in Visual Culture at Cardiff University, and the editor of the Visualities forum at Modernism/modernity Print Plus. Her full CV is here and you can also follow her on Instagram and Twitter. Please feel free to email Alix if you’d like to discuss opportunities for media appearances, guest lectures, or collaborative research, or if you’d like to request copies of her publications or syllabi.
Alix lives in Cardiff with her husband Dave, a songwriter and musician. You can learn a bit more about their work in this profile.